Until quite recently, I owned very few Judas Priest albums: SAD WINGS OF DESTINY and SIN AFTER SIN epitomizes the Priest for me… both are excellent; the unfortunate debut, ROCKA ROLLA, which was given to me as a gift; the killer live album, UNLEASHED IN THE EAST. Somewhere along the way I picked up PRIEST… LIVE, which was a little bit of okay. Then… nothing until 1997’s JUGULATOR, which introduced the world to Rob Halford’s replacement, Tim “Ripper” Owens… not a bad album, really, though it got the short shrift from Priest fans. The “Ripper” era band also produced a live set called ’98 LIVE MELTDOWN.
Now, of course, with Halford back and with the record labels reissuing just about anything, a couple of 30th Anniversary editions have cropped up, BRITISH STEEL and, more recently, this album, SCREAMING FOR VENGEANCE. I think Priest fell out of favor for me with the album HELL BENT FOR LEATHER (or KILLING MACHINE, everywhere but in the States). Didn’t like the cover (either one, actually) and didn’t like the song “Hell Bent For Leather.” I did, as mentioned, come back for the UNLEASHED IN THE EAST album, but, by then, the band had veered further into the realms of MTV pop for me (yeah… I know… sacrilege! The very same crap that made Priest superstars made me wanna puke!). But I digress… kinda. I will get to the point of this review, which is the double disc SCREAMING FOR VENGEANCE reissue (a CD with extra live tracks and a DVD of a live set from the ensuing tour), somewhere around the next paragraph.
And, so… here we are, 30 years later with an album that is beloved by every metal-head on the planet… except me. But, I have done my due diligence and listened to the thing again so I could be objective. And, you know what? It ain’t as bad as I thought back then. It ain’t no SAD WINGS… and definitely ain’t on a par with SIN AFTER SIN, but I can listen to most of it today without becoming nauseous. Tracks like “Bloodstone,” “Pain and Pleasure,” “Devil’s Child” and the title song hold up fairly well after 30 years, while the big hit, “You’ve Got Another Thing Coming,” still sounds like New Kids On the Block to me. The “ballads,” “(Take These) Chains,” “Fever,” and the aforementioned “Pain and Pleasure,” are exactly what you’d expect from a heavy metal band during the early ’80s. Actually, under the steady hands of the Priest, they’re a tick or two above the generic “power ballads” of the day.
Halford’s vocal acrobatics hadn’t lost their edge (still haven’t today, as far as I can tell); the riffage and dual leads of guitarists KK Downing and Glenn Tipton are sharp throughout and the rhythm section of drummer Dave Holland and bassist Ian Hill – while not spectacular – are rock solid. The production, by Tom Allom, is crisp and very much of the time: a big drum sound and everything shined to perfection. Of course, even my favorite mid-’70s Priest albums were very well produced, eschewing the muddied sound that befell many metal records of that time, so the above statement isn’t a negative, just a fact.
Of course, what would an “Anniversary Edition” be without extras? Why… certainly nothing special (although there are some instances where even WITH the bonus material, the product is still nothing special). To fill out the original album’s less than 40 minute length, the CD has been expanded by six tracks, 5 live and 1 that I can only assume was recorded for use on the album or for a single B-side (I can’t find any information about that one anywhere!). The five live songs are SCREAMING FOR VENGEANCE tunes that really add nothing to the originals, per se. I guess, from my perspective, the really cool thing about them is that they were recorded on September 10, 1982 (which happened to be my 24th birthday) at the San Antonio Civic Center (which just happens to be my home address… oops! That’s not right! What I meant to say is, “which just happens to be nowhere near where I was on that day”). The final cut is a ballady thing called “Prisoner of Your Eyes.” It’s kinda okay, but if it is an outtake, I can understand why: nothing spectacular or even particularly special. If it had turned up as a B-side somewhere, I don’t think people would have burned their copy of the record, but it may not have been played as often as some other minor Priest songs.
The second disc (aw, c’mon… you knew there’d be a second disc, right? I mean… there’s always a second disc!) is a DVD of the band’s full appearance at the Us Festival on May 29,1983. You remember the Us Fests, don’t you? Two holiday weekends of peace, love and drunken revelry that was supposed to bring the world together for a big ol’ bear-hug and a sloppy wet kiss to say, “I love ya, man!” So… anyway, the things were filmed by people who had no idea how to film a rock show. Throughout this performance, we get shots of Ian Hill’s back as Glenn Tipton shreds an awesome solo; then it’s off to a picture of Tipton’s guitar neck while KK Downing is soloing like a madman on the other end of the stage. And let’s not forget shots with the security guards blotting out everyone on stage or the crazy panning while they try to locate Halford as he comes onstage. Shouldn’t they have had production notes about such things? As far as the boys, themselves, there’s enough shiny spandex and studded leather to make Vince Neil and a whole herd of cows envious!
But enough about dubious wardrobe choices and the amateur-in-training visual aspects of the thing, how does it sound? Hmm… not perfect, but not bad. Not bad, at all. Halford proves early on that he owns one of the greatest voices in music (pick a genre, any genre) and, as mentioned regarding the studio recordings, Downing and Tipton play together and off each other superbly. Hill and Dave Holland may be boring to watch – especially the latter – but they keep the rest of the boys moving with a solid bottom-end. Set-wise, we understandably get a hefty dose of the then-current SCREAMING… album, a couple of my favorite Priest tunes (“Victim of Changes” and “Metal Gods”), two of the best covers I’ve ever heard (“Diamonds and Rust” and “The Green Manalishi (With the Two Prong Crown)”) and all of their NKOTB tracks (“Heading Out To the Highway,” “Breaking the Law,” “Living After Midnight” and “You’ve Got Another Thing Coming”). In a curious occurrence (maybe just to cement my New Kids digs), Rob Halford actually morphs into Madonna during “ …Another Thing… “ as he strikes one ridiculous pose after another. Even with all of the little (or medium-big) complaints, I did fairly enjoy watching one of the biggest metal bands of any era at the height of their popularity and, arguably, at the top of their game. If you’ve gotta own one CD version of SCREAMING FOR VENGEANCE, make it this one!