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Brian Merry

THE ADORING HEIRS/THE MICRODANCE: SPLIT

(BOXING CLEVER RECORDS 7” single; 2014)

Cover

There is truly something majestic about this “Deep Red” thing from the Adoring Heirs. It could just be the fact that the incomparable “Sir” Ian Baird sits atop the drum throne. But, let’s not discount the virtual tsunami of vibrant activity from guitars (supplied by Brian Merry and Joe Metcalf) and bass (that would be Rob Wagoner) and vocals (Wagoner again) that fight and strain to remain just above the surface of the sonic waves. The music of the Adoring Heirs has been called “arena rock for dive bars” and likened to the magnificently noisy Kansas City band, Shiner, and the working man’s supergroup, Bad Company… and, if that ain’t enough to convince you to consume, did I mention that the band’s drummer is Ian Baird? You remember when the Saint Louis music scene was relevant? No, I’m not talking about Miles Davis or Johnnie Johnson… I’m talking about the late ’90s, when major labels were ripping off (oops… I mean, signing) a band or two from the Lou every week? This band has that same sound… a Saint Louis rock and roll sound, with great vocals, powerful drums and, above all else, a funky bass sound that immediately identifies a group as a product of Saint Louis. The Adoring Heirs are a major reason why the Saint Louis music scene is suddenly relevant again and, we can all use a little relevancy in our lives. Right?

The Adoring Heirs, doing that which they do best, circa 2013 (Joe Metcalf, Ian Baird, Rob Wagoner, Brian Merry) (uncredited photo)
The Adoring Heirs, doing that which they do best, circa 2013 (Joe Metcalf, Ian Baird, Rob Wagoner, Brian Merry) (uncredited photo)

Hailing from London (which, as far as I can ascertain, is in some foreign country… California maybe), the Microdance encapsulate everything that has rocked and/or rolled since people have been keeping records of such stuff. Just when you think you’ve got their style pegged, they go and slip you a proverbial musical mickey, leaving you bleary eyed and dizzy; they deftly move from dreamy shoegazing to the heaviest of metals, wrapping it all in a psychedelic haze… all, by the way, in the same song. The oddly titled “Moopy Moop” is a stunning cacophony of noises, with muted drums and swirling guitars behind vocals that can best be described as whispered screams from frontman and chief songwriter, Alex Keevill, and Shona MacMillan’s haunting and alluring counter-balancing voice. I’ve always heard that there’s a strangely calming effect that overcomes a drowning person and, to me, that kinda sums up the wispy introspection of this track; “Moopy Moop” is almost ambient-sounding in its… I wanna call it “raging minimalism,” as dichotomous as that sounds. Call the music of the Microdance what you will, but just one listen will find you hooked.

The Microdance (Cheryl Pinero, Gavin Mata Hari, Tomas Garcia, Alex Keevill) (photo credit: The Microdance)
The Microdance (Cheryl Pinero, Gavin Mata Hari, Tomas Garcia, Alex Keevill) (photo credit: The Microdance)

The Adoring Heirs recently released a full-length called BEGINNING OF THE END OF DAYS, available at their Bandcamp page. The Microdance is nearing completion of their upcoming full-length, as well, featuring the latest iteration of the band, as shown above. This beautifully packaged limited edition split single is available directly from Boxing Clever Records and comes in two flavors, yellow and yellow/white, which is, indeed, the rarest egg; also available from the fine folk at Boxing Clever is a limited edition skate deck featuring the record’s cover art. Tell ’em the Mule sent you!