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DO THE ARCHITECTURAL WATUSI Music Reviews

KOWLOON WALLED CITY: GRIEVANCES

(NEUROT RECORDINGS/GILEAD MEDIA; 2015)

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As with most releases from Neurot Recordings, the words bleak, oppressive and challenging come to mind when describing GRIEVANCES, Kowloon Walled City’s third full-length and first for the label (the vinyl version is released through Gilead Media). The band’s mastermind, vocalist and guitarist Scott Evans has created as suffocatingly heavy a sound as any I’ve heard in a good little bit, with a biting narrative relating the hard-scrabble life of a working stiff just trying to get by (forget about getting ahead). On “Your Best Years,” a molasses slow groove underpins Evans’ strained voice as he laments “They’ll cut you down to count the rings/Measure out your worst years.” As the song nearly grinds to a stop in the middle section, we are presented with a great, droning solo. Somehow, through all of the gloom and despair, there’s an underlying sense that this guy is gonna beat the odds. “Grievances” is more kicking against the pricks (the intentionally vague lyrics, ostensibly railing against an employer, could also be talking about a government or an organized religion) and features more slow-core, intensely heavy riffage; this time, the solo comes as the music begins to pick up some steam before reverting back to the grinding cacophony. A violent crush of noise, “Backlit” may be the heaviest thing I’ve ever heard… a tune that’s kinda like the musical equivalent of watching two trains crashing into each other, seeing the carnage unfold in slow motion.

Kowloon Walled City (Scott Evans; Ian Miller; Jon Howell; Jeff Fagundes) (publicity photo)
Kowloon Walled City (Scott Evans; Ian Miller; Jon Howell; Jeff Fagundes) (publicity photo)

The second half of the album kicks off with “The Grift,” a song which is faster than the first three, but still doesn’t even come close to mid-tempo. The quickened pace seems to make the guitars sound more melodic through most of the tune. “White Walls” is vaguely reminiscent of a Body Count song played at half speed. For the first time, Ian Miller’s bass parts separate from the drone while the discordant, de-tuned guitars of Evans and Jon Howell and Jeff Fagundes’ stiflingly heavy drums threaten to smother the listener. Much more oppressive drums and bass pound home yet another tale of disillusion and deceit on “True Believer,” as Evans intones “He wonders which one’s to blame/And will they get away/Because you know/Someone always gets away.” The cut features a noisy, feedback-drenched solo. The final number highlights the reason we do what we do… it’s all for our “Daughters and Sons.” The narrative asks the questions we all ask: “Did we get enough?/Are we satisfied yet?” just before the hopelessness and ultimate defeat of the human spirit is felt in the final third of the song. GRIEVANCES is my first exposure to Kowloon Walled City and, hopefully, it won’t be my last. If nothing else, I would certainly love to see these guys play this stuff live.