(Eric Gamalinda; 300 pages; AKASHIC BOOKS; 2014)
This story had me so confused for the first few chapters, I almost gave up on it; written in three distinct voices (and styles) and covering (at least) two different time periods on at least three continents (and an island nation or two), it took a while to get my head around what was happening, when it was happening and to whom. At some point, I noticed that the chapter titles… really weren’t; each character’s story had its own title; that’s when I went back to the beginning and figured out exactly what the heck was going on. Sometimes I can be a little slow on the uptake, but once I get on board with a concept, I can generally roll along rather nicely.
The story follows the paths of two young men, born just hours apart in neighboring huts in a poor village in the Philippines. Both men are unaware of the existence of the other or the reasons for their adoptions; their father, an American named Andrew Breszky, told their mothers (who didn’t know that Breszky was the other child’s father) that he was going to sell the babies for adoption and send the money back to the village to save their families the embarrassment of, not only being unwed mothers, but also giving birth to an American child. One of the boys was adopted by a woman in New York, the other by a couple from the south of France. The title of the story comes from the region of the moon where Apollo 16 landed in 1972, the year the boys were born; the mother in New York would give her adopted son letters from his father, with the return address listed as “Mister Breszky, the Descartes Highlands, the Moon.” Interspersed with his sons’ stories, the story of political prisoner Andrew Breszky unfolds, allowing the reader insight into the psyches of the two men, desperately seeking a long lost clue to who they are and why they act as they do. THE DESCARTES HIGHLANDS is a psychologically taut drama that unravels right in front of you, much like the relationships and mental stability of the two sons. Filipino author Eric Gamalinda spins a tale of lies and loneliness, of longing for the truth and for an acceptance that always seems to be at arm’s length; the acceptance is there – from parents, from girlfriends and lovers – but the pair can never quite trust their own feelings… to believe that what is being offered to them freely doesn’t come with some sort of string attached. Yeah… the story can be a bit confusing and, occasionally, mind-numbing in its intricacies but, if you stick with it, following the ups and downs, the in and outs… I guarantee that you will be richly rewarded. Gamalinda’s storytelling and bleak imagery is disturbingly realistic, his dialogue frighteningly authentic. It’s time that you put on your thinking caps and delve into THE DESCARTES HIGHLANDS.