(A2X RECORDS/XEMU RECORDS/AORTA RECORDS; 2002) A REVIEW FROM THE VAULT (UPDATE BELOW)
“Hey… let’s make a record!” “Yeah! Awright! Let’s get some really cool songs to put on it! How about Peter Gabriel’s ‘Shock the Monkey?’ That song rocks!” “But… we can’t afford to stick a Peter Gabriel song on there with our budget. Unless… ” “Okay. I hear what you’re saying. Don Ho rocks!”
“Huh? Run that one past me again? Don Ho… ‘Shock the Monkey’… I don’t get the connection, dude,” you say. Well, Slappy, give a listen to this hipper-than-hip collection and get yourself a clue. WHEN PIGS FLY… takes a bunch of really cool tunes and a bunch of really strange performers, dumps ’em all into a blender and gets… well, some strangely cool covers! They ain’t all masterpieces and, truthfully, a lot of ’em aren’t even that big a stretch to imagine the couplings. A lot of people may be upset to find that, though the collection was done with a nod and a wink, these versions are – for the most part – dead serious artistic restylings.
On the first track, “Unforgettable,” the unlikely duo of Ani DiFranco and Jackie Chan (yup… THAT Jackie Chan) displays chops that will surprise more than a few folk. Now, seriously, we all knew that Ani is in possession of an ample set of pipes, but her vocals on this American standard are amazing! And… who knew that Jackie could croon? Well, apparently the vast majority of his homeland, as he is one of Hong Kong’s biggest musical stars. He will probably never be confused for Nat “King” Cole, but he can certainly hold his own. We’re only one tune into this eclectic array of singers and songs and the pigs have definitely left the runway!
Devo deconstructs Neil Young’s “Ohio” next. Here’s one of those tunes that really isn’t a huge stretch: The guys of Devo are Ohians (from Akron, of course) and, if memory serves, a couple of them may actually have been enrolled at Kent State in 1970. This version belches, whistles, and throbs, in typical Devo style. Though Mark, Jerry, and the others never step out of character, the tune’s original vehemence and anti-war sentiment still comes through. “Call Me,” by the Box Tops is… different. Blondie’s huge electro-dance hit is turned into… well… a Box Tops song, with funky Memphis horns and a patently dispassionate Alex Chilton vocal. What can be said about the Connells’ version of Cypress Hill’s “Insane In the Brain,” especially while I’m rolling on the floor in hysterics? First of all… Holy crap! I hate this song! However (and you knew that there was gonna be a “however,” didn’t you?), these North Carolinians make the song palatable, in a repugnant sort of way… i.e.: Like a train wreck or a gruesome accident, you just can’t turn away. I guess that’s what Cypress Hill’s all about, anyway. And the Connells capture that perfectly.
The centerpiece of this collection is Don Ho. As mentioned above, the Hawaiian of indeterminate age covers the improbable “Shock the Monkey.” You wanna laugh… I know you do. And that’s alright, but I’m betting that once you hear the track, you won’t be laughing anymore. The man who brought us “Tiny Bubbles” delivers a dead-on version of the classic Peter Gabriel tune. His voice is surprisingly strong, rich, and raspy, with just enough creepiness to sell the song. Maybe it’s time for a Rick Rubins career makeover for Mister Ho. I’m not suggesting that Rubins could recreate the success that he experienced with Johnny Cash or Donovan, but I would certainly like to hear what he could do with Ho. Though 75% of these tracks are homespun creations, the brainchild of executive producer Cevin Soling, the next track is more than a decade old. The criminally over-looked Roy Clark turns in an amazing vocal performance on a song made famous by the one and only “Satchmo,” Louis Armstrong. While no one can possibly hope to come close to Armstrong’s funky growl, Clark’s smooth-as-silk voice lends a sense of pathos to “What a Wonderful World.”
Billy Preston approaches Duran Duran’s “Girls On Film” like he approaches anything he does: He attacks it and makes it his own. The thumping bass and funky guitar and drums probably has the guys in Duran Duran saying, “See… that’s what we wanted it to sound like!” Preston’s pumping organ and throaty vocals add to the vibe, stamping the tune with the “Official Cool People’s Seal of Approval.” Cy Curnin delivers a creepy, David Bowie like vocal on the Fixx’s version of “These Boots Are Made For Walkin’.” The song, originally performed by Nancy Sinatra, is about empowerment; this version turns it into a misogynistic song about control. One of my favorites from the collection. Another one of those pairings that really isn’t that far of a stretch is the Oak Ridge Boys covering Kansas’ mega-hit, “Carry On My Wayward Son.” The religious overtones of the tune plays well with the Boys’ gospel roots, and the harmonies are so tight that you can totally forgive lead singer Duane Allen for his shortcomings (minimal, though they are) in delivering a rocker like this.
T Rex gets the garage treatment with the Neanderthal Spongecake’s version of “Bang a Gong (Get It On).” The Spongecake is fronted by our erstwhile leader, Cevin Soling and their deliciously trashy version is the best since the Power Station covered the thing somewhere in the final quarter of the last century. I’ve done a little checking and, as far as I can tell, these guys had a full-length release in 1996 (or there-abouts) and have been quiet on the recording front until this solitary track. Hey, Cevin… we all love Spongecake, dude! How ’bout some more? And, now, we’re 11 tracks into a 12 track collection and we finally run into a duffer. Herman’s Hermits take a whack at Billy Idol, offering a rather tepid version of the former Gen-Xer’s “White Wedding.” Now, I have nothing against Peter Noone and, in fact, his vocals actually hold up fairly well. However, having said that, I’m not real sure who the other Hermits are, but I’m guessing that they’re a group of studio musicians… and it sounds like it. The music is as sterile and lifeless as anything that Toto (a group of professional studio musicians, in case you didn’t know) ever recorded.
If Don Ho didn’t shock you (no pun intended), then the final track will. Like most music lovers, I know that you’ve lain awake at night, wondering whatever happened to pop princess Lesley Gore. Well, sleep well tonight, my friends… she’s been laying low, waiting for just the right song for her comeback. And that song is… “Dirty Deeds Done Dirt Cheap.” That’s right… Lesley takes one of AC/DC’s most infamous tunes and, adding her own special touches, turns it into a rollicking pop ditty, complete with horns, handclaps, pumping organ, dirty piano, and a slutty “girl group” chorus. This is, without a doubt, the coolest AC/DC cover I’ve ever heard (yeah… I know there aren’t that many, but even if every album ever released featured an AC/DC cover, this would probably still be at the top of the heap)! If you wake up screaming and in a cold sweat remembering Celine Dion’s horrendous version of “You Shook Me All Night Long,” this one will cure the night terrors… at least until that evil Canuck opens her trap and yodels again!
UPDATE: WHEN PIGS FLY… is still available at all the usual download places, like iTunes and, if you’re looking for a physical copy, the original web-site, www.pigsflycd.com is still up and running. You can also listen to individual tracks there.