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Lawrence Kansas

THE JOURNEY AND VISION OF AUD WHITSON: A RISING ARTIST’S PATH TO MUSICAL EXPRESSION

AUD WHITSON (photo credit: TAYLER GILBERT)

Aud Whitson, a singer-songwriter whose style defies easy classification, is carving a unique path in the music world. With a mix of raw honesty and vulnerability in her work, Aud is on a journey to connect with others through her songs, tackling themes of imperfection, personal growth, and self-expression. In an exclusive interview, Aud shares insights into her musical roots, creative process, challenges, and aspirations for the future.

A PASSION SPARKED BY UNEXPECTED OPPORTUNITIES

Aud’s path to music was not a linear one. Although she was always involved with music from a young age, it wasn’t until the COVID-19 pandemic that her career in songwriting truly took off. “I wasn’t actually 100% going to become a songwriter,” she admits. Music had always been a part of her life – growing up singing in church, participating in school choirs, and even studying music in college – but it was a more casual pursuit until fate intervened.

AUD WHITSON (photo credit: TAYLER GILBERT)

During the pandemic, she had an opportunity to sing background vocals for an artist in need of a favor. It was here that she shared her own music, receiving the encouragement she needed to dive into songwriting more seriously. “They told me to pursue it. I started to see how that felt and if it was something I enjoyed. I don’t plan to stop anytime soon,” Aud reflects. It was through this experience that she began to embrace her craft and explore her voice as an artist.

INFLUENCES AND MUSICAL BACKGROUND

Aud’s musical background is diverse, drawing on a variety of genres and experiences that shaped her approach to songwriting. She credits her early years in church as a foundation for her love of singing, which started when she was just a toddler. “I grew up singing in church, which made me realize I loved music,” she says. Her musical journey expanded into classical music through middle and high school, where she honed her technical skills. However, it was during her college years that Aud began to realize that classical music, while something she was good at, wasn’t the form of self-expression she was seeking.

AUD WHITSON (photo credit: TAYLER GILBERT)

The moment I started trying to find my own voice – what style of singing and what kind of performance felt expressive for me – that’s when I landed on being a singer-songwriter,” Aud explains. She’s not one to easily classify her own music, but describes it as a mix of “soft indie vibes” that resonate deeply with listeners.

When asked about her biggest musical influences, Aud points to Frank Ocean’s BLONDE as a transformative album. “I listened to that album every day. I had never felt so moved by any project up until that point,” she says, noting that it was the first album where she felt every song was perfectly crafted. Another significant influence came from Ed Sheeran’s debut album, which she recalls as a standout for her as a young teen and led her to explore more acoustic artists.

A UNIQUE CREATIVE PROCESS

Aud’s songwriting process is anything but formulaic. “The foundation of the songs usually happens when I’m just living my life,” she explains. Her brain is constantly engaged with concepts and themes that she revisits over time. Once she has a theme in mind, she sits down with her guitar, and the lyrics begin to flow. While the process is often quick, sometimes taking as little as 20 minutes to an hour, the development of the song can take longer as she refines the sonic details.

AUD WHITSON (photo credit: TAYLER GILBERT)

One of the most fascinating aspects of Aud’s approach is her willingness to break away from conventional recording methods. For her most recent project, she tracked the initial demos on her phone. “I got feedback from other musicians that my phone recordings had a vibe about them,” she explains. She would record guitar directly into her phone, then transfer it to Logic, layering vocals and refining the sound. It wasn’t until after this that she worked with producer Chase Horseman to polish the tracks in a studio. “Being able to do more of the production myself meant I could take what was in my head and copy it directly into the song,” she says.

NAVIGATING CHALLENGES AND GROWTH

Aud’s path hasn’t been without its challenges. Performance anxiety has been a significant hurdle, especially in the days leading up to shows. “For a while, performing would really eat away at me for the days leading up to the performance,” she admits. Through trial and error, she found a routine that helped her manage nerves – avoiding caffeine, alcohol, and ensuring she eats properly before stepping on stage.

AUD WHITSON (photo credit: TAYLER GILBERT)

Despite her initial nervousness, Aud finds a sense of control when she’s performing live. “Once I am on stage, I feel very in control. It’s a surreal feeling,” she says, describing how time seems to slow down as she commands the room. She’s learned to embrace the pressure, realizing that it often brings out her best performances.

On top of personal challenges, Aud has had to grapple with the realities of the music industry, including criticism. However, she notes that having a strong support system is crucial to navigating these challenges. “If you have the right people in your life informing you, that’s a really big privilege,” she says. Her close-knit circle helps her stay grounded and continue to grow as an artist.

FINDING IMPERFECTION AND EMBRACING THE HUMAN EXPERIENCE

One of the most powerful aspects of Aud’s music is its raw honesty. Her classical training once led her to strive for perfection, but over time, she’s learned to embrace imperfection. “I have worked through a lot of perfectionism. I used to hide behind the security of calculation,” she reflects. In her more recent work, she’s focused less on flawless execution and more on creating something that feels genuine. “This project, I want to make something with flaws that makes people feel things,” she shares.

AUD WHITSON (photo credit: TAYLER GILBERT)

Through this evolution, Aud has come to realize that being imperfect is part of the human experience. “I don’t have to be perfect all the time. I’m allowed to be human,” she says. This understanding has led her to create music that reflects the messiness of life – something she hopes will help others feel less alone.

LOOKING AHEAD: GROWTH AND NEW PROJECTS

Aud’s journey is only just beginning, and she’s already making plans for the future. “I’m excited to release more music in 2025, including songs that people have connected with at my shows but haven’t been released yet,” she says. She’s also working on new material for an upcoming album, with the aim of gradually increasing her production quality.

AUD WHITSON (photo credit: TAYLER GILBERT)

Looking further into the future, Aud hopes to release a full album. “I’m just releasing singles and EPs right now, but having a fully-formed project will be exciting,” she explains. She envisions an album that continues to evolve from her current EP, blending low-fi vibes with higher production values. Her inspiration for this direction comes from artists like Clairo, whose vintage sound combined with rich production resonates deeply with her.

BALANCING MUSIC AND LIFE

Maintaining balance in her life while pursuing her music career is no easy feat. Aud works full-time outside of music, making ends meet while continuing to nurture her passion. Despite not earning much from her streams, she remains focused on her long-term vision. “I don’t make music for money, but it is difficult. It takes time to grow,” she reflects. To manage the emotional demands of the industry, she focuses on celebrating the small wins – whether it’s a hundred listeners or a successful live performance.

AUD WHITSON (photo credit: TAYLER GILBERT)

Outside of music, Aud enjoys hobbies that help her disconnect from the pressures of her career. “I crochet. I like to go on walks and spend time in nature,” she shares. These activities help her maintain a sense of balance and remind her that she’s more than just a musician.

A MESSAGE OF CONNECTION AND HOPE

Above all, Aud hopes her music can serve as a source of connection for those who feel alone. “I hope that this music helps people, especially younger people who are struggling mentally and emotionally,” she says. In a time where many are feeling lost or disconnected, Aud’s music aims to offer a message of hope.

AUD WHITSON (photo credit: TAYLER GILBERT)

Aud Whitson is an artist to watch in the coming years. With her honesty, vulnerability, and dedication to her craft, she is well on her way to making an impact in the music industry. Keep an eye on her upcoming shows, including performances at Arts On Broadway/KCMO on February 15th and Replay Lounge on February 18th.

Aud Whitson’s story is a testament to the power of perseverance, self-expression, and the willingness to embrace imperfection. As she continues to evolve as an artist, she remains committed to creating music that resonates deeply with her audience, offering both comfort and connection in a world that often feels disconnected.

For more on Aud Whitson and her music, visit her website at audwhitson.com or follow her on Instagram.

EDITOR’S NOTE: A HOUSE THAT CAN’T GET QUIETER, Aud’s latest EP will be available to stream or download on Friday, February 7, 2025.

NILUFER YANYA/ANGELICA GARCIA/LUTALO

(13 October, 2024; THE BOTTLENECK, Lawrence KS)

Sunday nights are supposed to be boring, right? A time to relax and re-energize for the coming work (or school) week. This particular Sunday night was anything but as Lawrence, Kansas became a melting pot of musical talent, featuring three compelling acts – Lutalo, Angelica Garcia, and headliner Nilüfer Yanya. Each brought a distinct sound and energy to the stage, making the night an unforgettable experience for the packed venue.

LUTALO (LILY SEABIRD, LUTALO JONES, MICAH RUBIN) (photo credit: KASEY LEHMKUHL)

Kicking off the evening was Vermont-based artist Lutalo Jones, an alternative singer whose music blended slow, moody rock with indie Blues. Lutalo was joined by Micah Rubin on drums and Lily Seabird on bass, creating a rich yet intimate sound. His set moved through a variety of vibes, with each song offering something different – ranging from introspective lyrics to more upbeat rhythms.

LUTALO (LUTALO JONES) (photo credit: KASEY LEHMKUHL)

Though Lutalo’s performance felt understated at first, it quickly gained momentum. His emotionally raw vocals connected deeply with the audience, who responded more and more as the set progressed. When a guitar string broke during the final song, Lutalo didn’t miss a beat, continuing the performance with the grace and professionalism of a seasoned artist. The diverse textures in his music showcased his versatility, leaving the audience with an appreciation for his evolving sound.

ANGELICA GARCIA (ANGELICA GARCIA, VAL SEPULVEDA) (photo credit: KASEY LEHMKUHL)

Angelica Garcia, from Los Angeles, brought an entirely different energy to the stage. With only Val Sepulveda on drums backing her up, Garcia’s voice took center stage, blending elements of Latin Punk and bilingual alternative electronic Pop. Her powerful, well-regulated vocals filled the room, captivating the crowd. Garcia’s vocal range is impressive, effortlessly moving from deep, rich tones to high, piercing notes – an indication of her natural talent and technical skill.

ANGELICA GARCIA (VAL SEPULVEDA, ANGELICA GARCIA) (photo credit: KASEY LEHMKUHL)

Garcia engaged the audience from start to finish, her bilingual lyrics resonating with many in the crowd. She described her second-to-last song, “Hey, Paloma,” as “cute” and invited the audience to join in, creating an interactive, fun moment. The final song was a fusion of electronic beats, drums, and her signature Spanish vocals, leaving a lasting impression. With only vocals and drums, Garcia proved that she didn’t need a full band to captivate the crowd – her voice and presence were more than enough. As her set concluded, a large portion of the audience immediately headed to her merch booth, eager to purchase her CDs and support her growing career. It’s clear that Angelica Garcia is an artist who knows how to leave a mark on her audience, and her upward trajectory seems inevitable.

NILUFER YANYA (photo credit: KASEY LEHMKUHL)

Headlining the evening was London-born Nilüfer Yanya, whose indie/alternative sound has been steadily gaining her a dedicated following. From the moment she stepped on stage, accompanied by a stellar band, the crowd was buzzing with anticipation. Nilüfer herself played guitar, alongside fellow guitarist Will Archer, Ellis Dupuy on drums, Beth O’Lenahan on bass and Jazzi Bobbi on saxophone, keys, and backup vocals. The chemistry between the band members was evident, their tight musical coordination enhancing the already polished performance.

NILUFER YANYA (JAZZI BOBBI, NILUFER YANYA, BETH O’LENAHAN) (photo credit: KASEY LEHMKUHL)

Nilüfer’s vocal delivery was hauntingly beautiful – her soft yet powerful voice combined with her band’s intricate sound created a mesmerizing atmosphere. Tracks from her latest album, MY METHOD ACTOR, were standouts, with “Run Away” eliciting particularly loud cheers from the audience. The live version of this hit showcased Nilüfer’s incredible vocal control, her voice soaring over the lush instrumentation.

NILUFER YANYA (NILUFER YANYA, WILL ARCHER) photo credit: KASEY LEHMKUHL)

As the show progressed, the audience moved closer to the stage, completely immersed in the performance. The mix of saxophone, layered guitar riffs, and atmospheric keys gave Nilüfer’s set a unique sound that felt both timeless and modern. Her music is difficult to categorize – at times, it recalls the soulfulness of Amy Winehouse, but with a more experimental, indie twist. The crowd swayed in unison, visibly moved by her hypnotic melodies and powerful stage presence.

NILUFER YANYA (BETH O’LENAHAN, NILUFER YANYA, WILL ARCHER) (photo credit: KASEY LEHMKUHL)

As the set came to a close, Nilüfer Yanya left the audience wanting more. With her US tour wrapping up in Los Angeles later this month, there’s no doubt that she’s on the verge of even greater success. Her sold-out vinyl and merch at previous venues, including hoodies and t-shirts, are a testament to her rising popularity. The support of her bandmates and manager Owen McAllister, who spoke fondly of their time touring across the US, only adds to the feeling that Nilüfer’s star is still on the rise.

NILUFER YANYA (NILUFER YANYA, WILL ARCHER) (photo credit: KASEY LEHMKUHL)

This concert was a perfect blend of styles and genres, each artist bringing something unique to the night. The opening trio, Lutalo, set the tone with an introspective and evolving sound, while Angelica Garcia’s bilingual Punk-Pop performance, firmly supported by drummer Val Sepulveda, lit up the stage and Nilüfer Yanya closed the evening with a mesmerizing set that showed why she’s quickly becoming a major figure in the indie music scene. All three acts showcased raw talent and left a lasting impression on the Lawrence crowd. As these artists continue to tour and release new music, there’s no doubt that their names will only grow more familiar. This show was a reminder of the magic that happens when artists truly connect with their audience, and it’s safe to say Lawrence will be talking about this show for a long time.