JOHN DOE: VIGILANTE

(ARC ENTERTAINMENT/MAIN STREET FILMS/RAPIDFIRE ENTERTAINMENT (93 minutes; Rated R); 2015)

John Doe Vigilante

When I was solicited to review this Australian import, loosely based on a series of executions (or, murders, depending on your sense of justice), I wasn’t sure what to expect. To be perfectly honest, I envisioned something akin to one of those horrible, schlocky Steven Seagal flicks. Boy… was I wrong! Steven Seagal would choke on his own tongue and break every bone in his body if he were to attempt a nuanced performance like that given by Jamie Bamber as JOHN DOE: VIGILANTE.

JOHN DOE: VIGILANTE (Jamie Bamber) (publicity still)

JOHN DOE: VIGILANTE (Jamie Bamber) (publicity still)

Here’s the story: A man identified only as John Doe (a chilling, steely-eyed performance from Bamber), an accused serial killer of 33 – all reprehensible people who needed killing (pedophiles, abusive partners, gang members, crooked police, unscrupulous businessmen, et cetera… you get the idea) – is standing trial for his crimes. The scene shifts to the courthouse steps, where protestors (for and against Doe’s actions) and a rabid media are on hand as the prosecuting attorney steps to the microphone to announce the verdict; just as he is about to utter the vigilante’s fate, a huge explosion tears through the crowd. From there, the film takes on a sort of cinema verite feel, with scenes of John Doe’s brutality (as well as the injustices that led to that brutality) interspersed with a series of worldwide news reports, incidents of other like-minded citizens, a movement they call “Speak For the Dead,” taking up the cause (and their baseball bats) and – most intriguing – a prison interview with the man called John Doe, conducted by a reporter named Ken Rutherford (a brilliantly understated turn by Lachy Hulme). One reporter, closely linked to Doe, tells the camera, “He was killing career criminals. Nobody cared until the body count started rising.”

JOHN DOE: VIGILANTE (Lachy Hulme) (publicity still)

JOHN DOE: VIGILANTE (Lachy Hulme) (publicity still)

Apart from the chaos at the courthouse and a few very violent scenes of retribution, there really isn’t a lot of action going on; JOHN DOE… is what you would call a psychological thriller. If you’re thinking that means this flick is boring, I guarantee you… it is anything but; even with everything basically laid out in front of us since that first scene, there are more than a few “gotcha” moments that will stun you and leave you wondering how you could have missed some rather obvious (in retrospect) clues; even the ending will leave you guessing. By exploring the killer’s psyche, we are forced to confront the societal and personal demons that we too often ignore or accept without question. In the end, we learn that, like the system of justice we live under, we are all somehow tainted and a little corrupt. JOHN DOE: VIGILANTE will have you thinking and, maybe, looking over your shoulder… just in case.

JOHN DOE: VIGILANTE (Jamie Bamber, Isabella Woodlock) (publicity still)

JOHN DOE: VIGILANTE (Jamie Bamber, Isabella Woodlock) (publicity still)

I’m not really sure how to characterize this film; I mean, it probably wouldn’t make a great date movie and, with the R rating and all of the scenes of violence and brutality, it really isn’t made for family viewing, either. When and with whom you decide to watch, just know that you are in for an emotional roller coaster of a ride; it is, hands down, one of the most riveting, purely psychological explorations since 1990’s MISTER FROST.