(Digital and DVD; IMAGE ENTERTAINMENT/CINE COUP MEDIA/VORTEX WORDS AND PICTURES (79 minutes; Unrated); 2015)
I ain’t gonna lie… When I first heard about the release of WOLFCOP, I knew the thing was gonna be stupid, possibly even too stupid for me. But, then, I saw the trailer and, as soon as the werewolf cop was identified as Deputy Lou Garou (for those among you who are mythologically deprived regarding such beasts, Google the term “loup garou”), I realized that I was right and knew that I had to watch it. WOLFCOP is gloriously idiotic and I love it!
Deputy Garou (the magnificently deadpan Leo Fafard), perpetually inebriated and hungover, seemingly doubles as Woodhaven’s town drunk; to say that Lou is a loutish loser, a laughing stock and a poor excuse for an officer of the law would be an understatement. Conversely, Lou’s law-enforcement counterpart, Tina (the deceptively hot Amy Matysio), is all business (and recipient of the department’s “Employee of the Month” award for something like two years running). On this fine day, Garou shows up more than two hours late for his shift and in a barely upright position just as Tina takes a call from Lou’s one and only friend, Willie (a real lugnut, played to the hyper-kinetic hilt by Jonathan Cherry); Willie is certain that he has solved the mysterious disappearances of the pet population of Woodhaven (a malady that has befuddled the locals for quite some time): Satan worshiping teenagers, all hopped up on booze and drugs. When Garou isn’t on duty… heck, even when he is on duty, he frequents the local watering hole, the Tooth and Nail, owned by the voluptuous Jessica (voluptuously portrayed by Sarah Lind). Lou investigates Willie’s disturbance call from a bar stool at Jessica’s place, eventually returning to the Sheriff’s office to sober up before the end of his shift. As the deputy’s shift ends, the Sheriff (a no-nonsense character played by Aiden Devine and who is called “Chief” here – must be a Canadian thing… the deputies are called “officers”) takes another disturbance call; Tina, whose shift is just beginning, volunteers to check it out, but the Chief, tiring of Lou’s antics, is intent on making the bleary-eyed slob investigate. Lou awakens the next morning, after what seems to be a particularly wicked nightmare sees him captured and tortured by a Satanic cult. It was, he soon discovers, no dream, as the pain he is experiencing and the blood on his clothes soon reveal a pentagram carved into his chest. He soon realizes that there is definitely something weird going on… as he shaves, his beard regrows almost immediately; he has super-sensitive hearing and he can smell things in the air that he never could before.
The entire Sheriff’s Department is called in to investigate the gruesome death of the opponent of Woodhaven’s mayor in the upcoming election. The scene elicits shards of memories of the previous night in Garou’s fevered mind; everything seems so familiar to him. The brutal attack is quickly chalked up to another killing by the “Woodhaven Beast,” prompting the mayor and the city fathers to cancel the “Woodhaven Beast Drink and Shoot,” an annual soiree of booze and bullets. With all of this swirling around in his head, Deputy Lou Garou does something he has never done before: He takes notes and digs into the archives of the city’s newspaper and police files, searching for clues to solve this mysterious death (and, maybe, find some answers about his father’s death decades earlier) – all, of course, with drink in hand. Still unsure of what has happened to him, Lou takes Jessica up on an after-hour rendezvous at the Tooth and Nail that, as these things often do, goes terribly wrong… beginning with one of the most gruesome man-into-wolf turning scenes I’ve ever seen.
And then, things start to get weird. Apparently, the cult isn’t so much of the Satanic variety as they’re really a bunch of two-hundred-plus years old shape-shifters who’ve been running the city of Woodhaven and thinning the herd to keep their secret safe. Every once in awhile (say… every 32 years, coinciding with a solar eclipse, which, by the way, is fast approaching), these shape-shifting seniors must enact a bizarre ritual that involves sacrificing a werewolf, freeze-drying the mutt-man’s blood and snorting it. Huh! And here I am, thinking that moisturizer is the ultimate answer. Willie, being in close proximity to the murder and subsequent attack and turning of Lou, confronts the deputy, offering proof of his affliction and vowing to help him through the full moon; Willie locks Lou in a jail cell, sets up a camera to film his change and, to calm him down after he wolfs out, plies him with booze and doughnuts (from the aptly named convenience store, Liquor Donuts), along with a very competitive game of Go Fish. Alone in the department headquarters, Werewolf Lou takes a 911 “robbery in progress” call; having dispatched the criminals and with Willie along for the ride, Lou, exhibiting his heightened strength, tears the driver’s side door off of his car. So, what’s a diligent member of the constabulary to do? Why, modify the cruiser into a weird Green Hornet kinda avenging angel type of thing, of course.
While cruising the back roads in the modified patrol car, Garou literally follows his nose to the hide-out (and meth lab) of the local gang. Mayhem ensues in one of the wildest fight sequences ever shot in a movie about a werewolf cop. After a bit of random dismemberment (and an epic explosion… I did tell you about the meth lab, right?), Lou and Willie return to headquarters, where they’re met by little red riding hooded Jessica. After a disturbingly bizarre sexual interlude (complete with cheesy faux disco ballad), Jessica’s true nature is revealed, as she changes into the mayor (Corinne Conley) before the knock-out drug she slipped Lou takes effect. Things begin to happen – and changes take place – rather quickly from that point. Lou wakes up chained to the tree of the Reckoning, with less than an hour before the eclipse. He looks at the mayor, disgust in his eyes and in his voice: “I can’t believe I slept with a 200 year old woman!” “Who said I’m a woman?” The cavalry arrives in the form of Tina, who watched surveillance video of the cell area where Lou had sequestered himself the night before. Shots are fired, people are wounded and killed; Lou wolfs out as the eclipse begins, people (lizard-like changelings, actually) are severely damaged. Of course, the good guys (good dog?) win and, as they walk off into the sunset (the eclipse only lasts about eight minutes), Lou says, “I can use a drink.” Tina, wounded in the exchange, replies, “I could use a hospital.” “Okay. Two stops.” Stick around for an after credits scene that ties in a seemingly random sequence from very early in the proceedings. It’s funny and brings everything back around to the front… so to speak.
So, does WOLFCOP deserve your hard-earned shekels? Oh, yeah! Sure, the plot‘s dumb but, it never strays and, in the end, delivers a pretty good story. The fact that the movie never takes itself too seriously is a definite plus. There are some nice twists and turns and surprises and, while wolf Lou isn’t as scary as others we’ve seen on film, the make-up and special effects (especially the turning sequences) are way-above average for a small-budget production. The whole thing is well-produced, the music is effective and the fight sequences aren’t horrible… those are things that you can’t always say about a big-budget monster. As you can tell from the stuff I told you about some of the scenes, this movie isn’t intended for kids younger than, say, fifteen; anyone else into the werewolf, horror, crime or comedy genres should get a real kick out of it. And, be warned… WOLFCOP II is on the way! Why not? They’ve already got a cool theme song!