ADULT CINEMA: TEASER TRAILER

(ILLICIT RECORDINGS; 2016/vinyl reissue, 2018)

North London-born Mike Weston is Adult Cinema. It is Weston’s purpose – some would call it his destiny, considering his familial legacy and musical heritage – to tear down and rebuild classic Progressive Rock in his own thoroughly modern image. TEASER TRAILER is the debut record from Adult Cinema, recently re-released (to coincide with the release of album number two, THIS IS YOUR LIFE) on glorious vinyl. Mike handles virtually everything on the self-produced recording. This approach means that most everything sounds exactly as the artist heard it in his head while writing the album. Also, I’ve gotta tell you that, though the vinyl version is the latest, the track order reviewed here is actually the original CD version. And, so, after getting those pieces of technical info out of the way, let’s look at the music itself, shall we?

Feel Your Eyes” gets things off to a very nice start, with a general approximation of early Steely Dan, some Doobie Brothers vibes, a Brian Eno era kind of Roxy Music psuedo-prog and just a sniff of early Gilmour period Floyd. The song features some great guitar, bass and a Hammond organ owned (but not played here) by a certain Mister Winwood. Adding to the atmosphere is some quite nice piano and Weston’s laconic, somewhat breathy vocal performance. Much of this album was originally released on a self-titled promotional/demo record before TEASER TRAILER was unleashed upon the world-at-large. Such is the case with the next song (as well as the opening track). Here, “Flowers” is presented in what I must assume is either a re-recorded or remixed version parenthetically called “Fallout Version.” I like this tune so much that whatever Mike wants to call it is fine with me. The number starts out as a very nice acoustic thing for the first couple of minutes before heading deeply into a Floydian psychedelia, complete with very Syd-like vocals. The track continues to mutate with a great hard rock ending, putting one in mind of early Uriah Heep or Hawkwind. “Asleep At the Wheel” is very trippy, with another solid dose of spacey Hawkwind noises, not a tribute to Ray Benson. The tune features a great bassline, while the piano and organ are very prominent throughout. Guest performer Paul Nelson’s guitar has a rather metronomic quality to it, adding to the late ‘60s psychedelic vibe. “Dreamt the Other Night (Prog Version)” would not sound out of place on DARK SIDE OF THE MOON or WISH YOU WERE HERE. Acoustic based, the song features understated guitar, powerful bass and a nice, simple drum pattern. Short and sweet, “Dreamt… ” really pulls you in. The album’s first half ends with a dramatic, sorta Styxian shanty, “We Sailed Across the Ocean.” The multi-layered vocals reinforces the Styx reference. There’s a thumping, swirling break before the tune begins ramping up with a slightly heavier organ sound and a dive-bombing bass pattern. This heavier turn is very Deep Purplish, save for a far lighter guitar sound (which is not necessarily a bad thing, by the way). The twist and turns in styles, if not genres, make the track a personal favorite.

ADULT CINEMA (Mike Weston) (photo credit: KENT MATTHEWS)

Got To Prove Myself Today” features a far more powerful vocal approach than the previous cuts on the album, matching the heavy feel of the song. Nelson returns, with an intricate guitar weaving its way through the organ and above the massive bass and drums that underpin everything. It all gives way to an acoustic guitar and piano coda that drives home the tune’s intent. In sort of an English Folk meets Country way, “My Tangled Mind” is filled with a nice acoustic guitar lead, some solid bass, pretty vocals and some darned fine whistling. The beauty and simplicity does the memory of the Beatles and, in fact, the entire British Invasion sound quite proud. “Rowboat” is featured in two versions on the original 2016 CD of TEASER TRAILER. The first (and the one featured on the vinyl reissue) is the original. Trippy, watery machinations of Paul Nelson’s guitar and a lugubrious bass runs throughout the mostly instrumental tune. The vocals are purposely buried in the mix but, checking the lyric sheet, it would appear that the story revolves around a troubled individual who, apparently, has killed and disposed of someone in a watery grave. The second version, offered as a “bonus track” on the CD, is called the “Southend Version.” It’s definitely a heavier take, featuring some serious Hammond organ. The vocals and the number’s true meaning comes into finer focus on this longer version (more than two minutes are added to the original’s 3:47 running time). With the guitars, bass and drums pushed to the front, the studio trickery is gone until the end of the song. If I had to choose one version to listen to on repeat, it would most assuredly be the latter. “Witches” is a rollicking kind of Dancehall Jazz, with some nice period drums from Andy Russell, Nelson moving over to upright bass, a player piano and a traditional Jazz trio featuring Weston’s Dad, Tony, on clarinet. The piano coda from “Witches” wanders back in on “La La La La La,” a rolling kind of tune delivering the tune’s sole lyric, “La” over and over again. The birds chirp, the guitar dips in and out of the mix, cementing a rather pleasant end to what is a better than average album. Head on over to Mike Weston’s website to get a free download of TEASER TRAILER and, while you’re there, pick up a copy of THIS IS YOUR LIFE, too.