(February 24, 2016; READY ROOM, Saint Louis MO)
It’s not often that a quality Death Metal package makes it’s way through Saint Louis, MO. With the recent influx of mall-dwelling deathcore imitations, it seems that true old school death metal has been eschewed for a watered down derivative that often relies on hokiness and over the top antics rather than the brutality and true musicianship reflected in the DM acts of yore. On the morning after a blustery February snowstorm descended upon the Midwest, four bands pulled into the Gateway City to lay waste to any notion that true Death Metal is dead and gone. This is their story.
Abysmal Dawn kicked things off with the title track to 2008’s PROGRAMMED TO CONSUME. Their signature blend of crunchy riffs and brutal blast beats bring to mind acts such as Malevolent Creation and Hate Eternal. Vocalist/guitarist/band mastermind Charles Elliott was especially impressive as he riffed his face off while simultaneously belting out Cookie Monster-esque growls in what proved to be an above par opening performance.
Next on deck for the evening were the French-Canadian tech-death marauders known as Cryptopsy. Fresh faced vocalist Matt McGachy wasted no time as he immediately whipped the crowd into a fervor amidst a blend of new and old material. The band’s drummer, Flo Mounier, had been seemingly shot out of a cannon as he rhythmically pounded out tunes such as “Crown of Horns” and “Mutant Christ.” I must say that the highlight of the set was the absence of tracks from 2008’s nausea-inducing (and not in a cool, gory, Death Metal way) deathcore outing, THE UNSPOKEN KING. Also included were two tracks from the band’s most recent EP, entitled THE BOOK OF SUFFERING, which is available digitally from all major media outlets. Closing out the set was the fan favorite “Phobophile” from 1996’s NONE SO VILE.
Naturally, a band performing songs entitled “Slowly We Rot”, “Chopped In Half” and “Bloodsoaked” must be devoid of any sense of compassion and kindness, right? WRONG! I had the chance to sit down with Obituary co-founder and drummer extrordinaire Donald “DT” Tardy before the show; he seemed more than happy to discuss a passion other than the Death Metal he’s been churning out for over 30 years: A cat rescue he co-owns with his wife. “I just got tired of seeing dead cats in my neighborhood,” he explains. “I thought, ‘It doesn’t have to be this way.'” And, when prodded about his favorite horror films, DT ambivalently admitted, “Eh, I don’t really watch movies too often anymore. Sure, when I was younger, ya had, ya know, the Jasons and Freddies but, I honestly haven’t stepped into a movie theater in 15 years.” Who says all metal-heads are the same? This dude loves cats and doesn’t like horror movies… Awesome!
As for Obituary’s set, the Florida quintet was nothing short of spectacular. Kicking things off with the instrumental onslaught of “Redneck Stomp” (from 2005’s FROZEN IN TIME), the boys weaved their way through a blistering set of chaotic viciousness that can only be described as truly phenomenal brutality. Vocalist John Tardy menacingly stalked the stage while bassist Terry Butler (ex-Death, ex-Six Feet Under) laid down fat slabs of measured savagery. Rhythm guitarist and co-founder Trevor Peres is a bonafide riff monster, while the addition of Kenny Andrews on lead guitar brings back the high end ferocity that was absent while the band performed as a four-piece. Closing out the set with the title track to 1989’s SLOWLY WE ROT, Obituary proved once again why they are the undisputed kings of Florida Death Metal.
Batting cleanup were headliners and metal legends, Cannibal Corpse. Firing off classic after classic, CC delved deep into their extensive catalog to present gems such as “The Time To Kill Is Now,” “Pit Of Zombies” and, my personal favorite, “I Cum Blood.” George “Corpsegrinder” Fisher (whose neck is thicker than his head), took an authoritative command of the crowd as he bellowed out his distinct growl while concurrently windmilling his head at breakneck speeds. By the time the band closed out the show with “Devoured By Vermin,” from 1996’s VILE, the entire crowd had been decimated into a puddle of black T-shirts, sweat, beer and blood that somewhat resembled what used to be roughly 800 metal-heads.
Overall, the night was fantastic, with Obituary stealing the show. The droves of moshers, headbangers and leather clad vixens only proves my previously established perception that Death Metal… and metal as a whole, is fully alive and well in 2016. Special thanks to Donald Tardy for the interview.