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Curtis Armstrong

LOCKER 13

(BROTHERS’ INK PRODUCTIONS/ARC ENTERTAINMENT (103 minutes/Rated R); 2014)

Locker 13 KA 15-1

LOCKER 13 is good. It’s not the “Greatest Movie Ever Made” (that would be 1985’s RUSTLER’S RHAPSODY starring Tom Berenger… don’t argue… I’m a professional… you know I’m right!) but, it starts with an interesting premise and each of the NIGHT GALLERY style vignettes builds the tension via sharp right turns (and, in some cases, a complete reversal) in the plot (plots?), keeping the viewer guessing and invested in the story (if not the occasionally seedy characters). That’s quite a feat. Add in the creepy, horror/thriller elements that – like all of the best movies of the ilk – are more implied than actually seen (very little blood and mayhem and no creepy-eyed little kids crabwalking on ceilings) and you’ve got a nifty little film. It may not break any box office (limited US release was March 28, 2014) or sales records (DVD releases exactly one month later), but it’s cult status is virtually guaranteed!

LOCKER 13 ( Jon Gries and Jason Spisak) (photo credit: ARC ENTERTAINMENT)
LOCKER 13 ( Jon Gries and Jason Spisak) (photo credit: ARC ENTERTAINMENT)

The movie starts with a beautifully shot exterior scene, apparently of an Old West town. As it becomes obvious that we’re actually looking at an Old West theme park, we’re introduced to the principals: Skip, a new nightshift janitor and ex-convict (played by Jason Spisak) and Archie, his philosophical supervisor (Jon Gries). As Archie takes Skip on a tour of the park, he recounts stories regarding various items the two come across on their rounds.

LOCKER 13 ( Ricky Schroder andTatyana Ali) (photo credit: ARC ENTERTAINMENT)
LOCKER 13 ( Ricky Schroder andTatyana Ali) (photo credit: ARC ENTERTAINMENT)

An old pair of boxing gloves are oddly out of place in a church pew and, when Skip asks about them, Archie’s tales begin. “Down and Out” follows a washed-up fighter (Ricky Schroder) who’s looking for one more shot at the big time. He gets his shot, leaving a path of death and destruction in his wake. Is his success (and notoriety) due to those old, borrowed gloves? The always beautiful Tatyana Ali is the girlfriend/moral compass of the story.

LOCKER 13 ( Bart Johnson andDavid Huddleston) (photo credit: ARC ENTERTAINMENT)
LOCKER 13 ( Bart Johnson and David Huddleston) (photo credit: ARC ENTERTAINMENT)

Booger from the REVENGE OF THE NERDS franchise (Curtis Armstrong, who most recently has had a recurring role as the Angel, Metatron, in SUPERNATURAL) presents an acquaintance for initiation into a seemingly innocuous organization, “The Benevolent Byzantine Order of the Nobles of the Enigmatic Oracle.” Death, mayhem and blood sacrifices are all, apparently, part of the ceremony… or is it all a joke and, if so, who is the joke aimed at? The great character actor David Huddleston plays an integral role.

LOCKER 13 ( Alexander Polinsky) (photo credit: ARC ENTERTAINMENT)
LOCKER 13 ( Alexander Polinsky) (photo credit: ARC ENTERTAINMENT)

In an odd act of the “pay it forward” maxim, a suicidal man (Alexander Polinsky) is coached by a stranger (Jason Marsden, who also produced the fourth segment and may be best remembered for his portrayal of Nelson on FULL HOUSE) who intimates that he prefers a more spectacular ending than the boring dive from a rooftop. Everybody needs help, but what kind of help is this member of “The Suicide Club” offering?

LOCKER 13 (Krista Allen) (photo credit: ARC ENTERTAINMENT)
LOCKER 13 (Krista Allen) (photo credit: ARC ENTERTAINMENT)

Have you ever wondered how those mystery writers are able to think up such believable stories? In “The Author,” a philandering husband and a contract murder make for a great mystery novel: was it the wife, the girlfriend or the private secretary? The one with the best confession goes free but, like all good murder stories, this one has a twist ending.

Another twist brings us to the final episode, “The Other Side,” in which the janitor Skip takes the lead. It all ties in with Archie’s stories about futures and probabilities and making the right decisions in your life. It may have you asking, “Can you see the real me?”

There are psychological twists and turns throughout the 103 minutes (that’s an hour and 43 minutes for those who are too lazy to do the math) of the film which is very reminiscent of Rod Serling’s TWILIGHT ZONE and previously mentioned NIGHT GALLERY series. I must admit to being suckered by a couple of the twist endings, making the edge-of-your-seat experience that much more enjoyable. A note of interest: The first three stories were actually released as short between 2007-2011 (or there-abouts) but work exceptionally well within the framework of the over-all anthology style of LOCKER 13.