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SUPERJOINT: CAUGHT UP IN THE GEARS OF APPLICATION

(HOUSECORE RECORDS; 2016)

Superjoint (formerly Superjoint Ritual) is a hardcore/extreme metal/punk supergroup, formed in the early ‘90s by Pantera frontman Phil Anselmo, Jimmy Bower (Eyehategod, Crowbar) and Joe Fazzio. Their latest effort, CAUGHT UP IN THE GEARS OF APPLICATION, opens with what I can only describe as controlled chaos, in a way that only Anselmo and company can deliver. It’s a pretty relentless romp into dark themes and heavy grooves. There are some glimpses of their previous sound throughout, but all in all, this is a fresh sound with new ideas for the band.

SUPERJOINT (Kevin Bond, Jose Manuel Gonzalez, Phil Anselmo, Jimmy Bower, Stephen Taylor) (photo credit: DANIN DRAHOS)

The first half of the album is a sonic explosion, with Phil roaring nasty vocals in over-expertly crafted starts and stops in a way that exudes extreme deliberation, and you can tell that serious time was put in to writing the music. Despite the obvious age in his voice, Anselmo still has a vocal style unique to only himself. The opener, “Today and Tomorrow,” is a pretty good indication of what you’re getting into when you sit to listen to the album as a whole. “Burning the Blanket” is the gem of the first half, having extreme groove, and Phil screeching filthy highs over the latter half of the song.

The record really picks up during the second half, with “Clickbait,” which, in my opinion is the best song on the album and the best representation of the band’s new sound. The album closes up with “Receiving No Answer To the Knock,” which is a solid song and just goes to show you that although the record is over, Superjoint intends to kick your ass until the last second of it; the use of a dark, descending melody on guitar coupled with Anselmo’s best performance on the album let you know that they are not going anywhere anytime soon. Overall, CAUGHT UP IN THE GEARS… is an incredibly solid album and, if you have the time, you should really listen to the whole thing, as I think the totality of its eleven tunes plays better than any single track.